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While amazing work has been done with programs such as Ocula by the Foundry, and Mistika by SGO (see below), the process is far from automated.
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Stereo conversion is also needed for converting older films – such as Top Gun or the Star Wars franchise. Thus, even on films shot in stereo, there may well be a need to convert some footage and that high-quality conversion is an important tool in the box of any effects house. Even on a stereo film, lenses and situations oftentimes render a single camera the only viable solution. Yet many filmmakers do not want the physical size of an onset stereo rig, or they prefer to shoot film (ruling out stereo in-camera, effectively) or want to use anamorphic lenses which are extremely difficult for stereo native capture. Many people argue that if you want a film in stereo you should shoot it in stereo.
SONY 2D TO 3D CONVERSION PLUS
We originally published an Art of Stereo conversion two years ago, and this is a new updated version of that story covering The Avengers, Titanic, John Carter, Star Wars: Episode I, plus the newest techniques and approaches. Stereo conversion, or dimensionalization as it is sometimes called, is the process of making stereo images from non-stereo traditional 2D images.